The influence of early Apartheid intellectualisation on twentieth-century Afrikaans music historiography by Venter, Carina

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Collaborative pianists in South Africa: comparative & practice-based perspectives with reference to musical theatre by De Koker, Jessica

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A comparative investigation of emotional expression in Baroque and modern music : perspectives from cognitive psychology by Frank, Joshua Benjamin

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Surveying Post-Apartheid Decolonisation of the BMus Curriculum at Four South African Tertiary Music Departments by Struwig, Mieke

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Sacred Ecologies in "Die Nuwe Verbond: ‘n Misorde vir die Universum" by Frenz, Natali

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Remembering erasure: reconstructions of first world war memory in William Kentridge’s the head & the load and David Diop’s at night all blood is black by Esterhuyse, Rene Elizabeth

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Stations of awakening: musical subject-strategies in the unconscious levels of the video games Kingdom hearts: birth by Sleep (2011) & Persona 5 (2017) by Stevens, Joshua

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An intellectual history of institutionalised music studies in South Africa by Struwig, Mieke

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Absolute pitch and serial digit recall under irrelevant speech conditions: investigating automatic pitch class labelling through cognitive psychology by Steingaszner, Severian Geza

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Troubling apartheid and its institutions Godspell in South Africa by Bredekamp, Leonore

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Female DJs and electronic music producers in South Africa: thoughts on (under)representation, gendered technologies and collective agency by Joannou, Michelle Helen

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Pre- and Post-1994 Afrikaans cabaret: transitions, tensions and tropes by Van Dyk, Nadine

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Violent aesthetics in Marlene van Niekerk’s die kortstondige Raklewe van Anastasia W by Wolfswinkel, David Evan

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The impact of recall bias on the accuracy of dietary information by Van Zyl, Zoe

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