The use of visual research methods in the South African research context by Liebenberg, Linda

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The search for hybrid tectonics in contemporary African architecture: encounters between the global and the local by Louw, Michael Paul

“…The data was then analysed further through cross-comparison in the form of tables, discursive textual comparison, and visual research methods. As a result of these investigations, a significant number of works that signal a shift towards hybridisation are revealed. …”
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Visual assessment as a research tool for solving spatial problems in Khutsong Section informal settlement

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Portable Heritage: perspectives on white mobility in post-apartheid South Africa by Le Riche, Pierre Henri

“…The content of this document, which is intentionally concise, offers contextualisation and supplementation to my visual research. It must be stressed that this research is not the primary object offered for examination; that important role lies with my body of artworks that work in conjunction with the document. …”
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In/Between: Phillipi Photographed by Hammond, Michael Brian

“…This document situates, contextualises and explicates my visual research for this project.…”
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The anthropology of art and the art of anthropology : a complex relationship by Allen, Rika

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The Ontology of Photography Visually Analysed through the Camera Obscura

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Memories, material culture, and methodology: employing multiple filmic formats, forms, and informal archives in anthropological research among Zimbabwean migrant women by Horn, Roger

“…Through my engagement with traditional ethnographic research methods, unconventional visual research methods, and working with informal archives, such as found 8mm footage, Super 8mm footage, and YouTube videos I have spent four years researching the crossroads of memories and material culture in Zimbabwe and South Africa. …”
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Clubs of Night: An artistic response into spaces of collective association and coping in a patriarchal time by Chydenius, Isabella

“…This move, to ensure I use the past (Histories of Art) to participate in finding paths of flight for the present (and future) in my own visual research is an explicit acknowledgment of both the recurring social gender/class/racial challenges faced in society across time and space, and at the same time the role of contemporary artistic production to give form to these challenges so as to enable the production of critique.…”
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Exploring the embodied linguistic repertoires of language practitioners in South Africa by Erasmus, Gert Herman

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