Reflecting self : an exploration of drawing trace as reciprocity between self and life-world, with reference to my own drawing and selected works of Diane Victor by Kruger, Marieke, Malan, Marieke

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Behavioural economic applications to climate change mitigation and adaptation: public good games and risk experiments by Brick, Kerri

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Breaking my silence as a 'trained' dancer in post-apartheid South Africa by Jones, Danielle-Marie

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The unhealed wound : Olive Schreiner's expressive art by Green, Louise

“…The colonial context, I suggest problematises this sense of self as individualist agent and in the figure of Lyndall I see the limits of the reflective self as a means of interacting with the colonial situation. …”
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Reflections on the development of professional identity in professional psychology training…

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The Great Dance : myth, history and identity in documentary film representation of the Bushmen, 1925-2000 by Van Vuuren, Lauren

“…A secondary finding of this thesis has been that documentary film might constitute a source of oral history for historians, when the subjects of a documentary film express ideas and attitudes that reflect self-identity. It is proposed that the approach to analysis of documentary film that has been utilised throughout this study is a means of 'extracting' the oral testimony from its ideological positioning within the world of the film. …”
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The phenomenology of creative flow: a philosophical reflection from drawing practices (in conversation with Diane Victor) by Woermann, Minka Louisa

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Towards principles and practice for participatory development evaluation in the context of community based organisations

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Adopting “Results-based management policy innovation : a tool for strategy planning and execution” : a case study of the United Nations human settlements programme by Olupot, Geoffrey

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