Situating Discomfort in the Cracked Art World

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THE IMPACT OF INTERNATIONAL REMITTANCEs ON ECONOMIC GROWTH IN NIGERIA

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Banksy ‘Walled Off': A Human Rights Perspective to Graffiti and Street Art

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The settlement of disputes arising from international cultural productions by Hofert, Sebastian

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Could the Application of memetics in an Art Curriculum Augment Critical Digital Citizenship Education at an International School in Shanghai, China? by Boshoff, Kristy

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Reimagining and reigniting confidence in intermediate phase pre-service teachers through their approach to Visual Arts education by Biyela, Siphesihle

Subjects: “…Migration, Internal, in art…”
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Positioning the Creative Work of Mikalojus Konstantinas Čiurlionis in Modern Art History: Insights from International Exhibitions After the 1990s

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Understanding the management of internal tensions between mandates and mission in small and medium-sized social enterprises by Osembo, Simiyu Emmanuel

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An investigation of ‘powerful knowledge' in the drama curriculum: a comparative document analysis of the FET caps dramatic arts and the international baccalaureate theatre guidelines by Senekal, Nicole

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AI Art and U.S. Copyright Decisions: What the U.S. Can Do Differently Than China and the E.U. To Efficiently Promote Balance Between AI Innovation and Copyright Regulation

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Variables impacting on the delivery of Music in the learning area Arts and Culture in South Africa

Subjects: “…International viewpoints…”
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Towards generic cross-cultural standards in theassessment of African musical arts

Subjects: “…African musical arts…”
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Baboons in Ancient Egyptian art : the significance of the baboon motif in the funerary art of the New Kingdom by Pio, Helena

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Exploring the Collaboration in Capacity Building between the Nigeria Security and Civil Defence Corps (NSCDC), the International Civil Defence Organisation (ICDO) and the Nigerian...

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Why do companies invest in art? The purpose and composition of art collections in the South African financial sector

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Socio-spatialities of visual art in Stellenbosch by Viljoen, Vida Alexandra

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The Art of Disruptive Politics:The relationship between Dadaists' use of creative iconoclasm and climate activists' use of art vandalism by Vorster, Nicola

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Fine arts alumni reflections on curriculum and coursework in relation to global arts education: a social realist case study by Pather, Melvin

“…The Fine Arts industry is a local and international hub of creative output and positions itself as a network of opportunities, gallery support, exhibitions, and art residencies. …”
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Agency through art: exploring self-efficacy in grade ten to twelve art learners at a private school in the Free State by Lagendyk, Mieke

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The internal syntax of the Chimakonde determiner phrase by Makanjila, Dominick

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