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Should I stay or should I go : Zimbabwes white writing, 1980 to 2011
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If I Were to Meet You Again
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A Review of The Edinburgh Companion to W. B. Yeats and the Arts edited by Charles I. Armstrong, Adrian Paterson, and Tom Walker
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Male Domination and Symbolic Violence in Seviye Talip and I Will Turn off the Lights
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The perception of sexual enhancers and sex toys among university students in Ghana
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Past (pre)occupations, present (dis)locations : the nineteenth century restoried in texts from/about South Africa, Canada, Australia and Aotearoa New Zealand
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Institutionalised homosexuality in South Africa: queering same-sex desire
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Sex and corruption in Jacobean drama
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Chaucer's food basket : nature, sex and violence in The Canterbury tales
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Thuma mina : debates about South African literature in English and implications for high school curricula
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I Know Him Not, and Never Will: Moby Dick, The Human and the Whale
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Growing Queer: youth temporality and the ethics of group sex in contemporary Moroccan & South African literature
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A Review of Yeats, Revival, and the Temporalities of Irish Modernism by Gregory Castle
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The Immobile Nobility of “Life Herself ”: Silence and Stillness in “The Irish Dramatic Movement,” The Bounty of Sweden, and New Poems
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Yeats and Heaney’s Noble Words
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Yeats, Tagore, and the Nobel Prize in Literature: Imprimaturs in Modernist Cultural Conversations
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“Such Friends”: The Fay Brothers, Allgood Sisters, and Yeats’s Nobel Lecture
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The Nobel Prize, Spectral Aesthetics, and Alchemy in Yeats and Strindberg
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The Reluctant Tourist: Genre and Popular Culture in The Bounty of Sweden
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"A Vast Design” of Artistic Unity: Yeats and the City Hall
