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The things we left unsaid

Includes bibliographical references.

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Bibliographic Details
Main Author: Barr-Sanders, Amy
Format: Thesis
Language:English
Published: Department of English Language and Literature 2014
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access_status_str Open Access
author Barr-Sanders, Amy
author_browse Barr-Sanders, Amy
author_facet Barr-Sanders, Amy
author_sort Barr-Sanders, Amy
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/10090
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:07.214Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/10090 The things we left unsaid Barr-Sanders, Amy Creative Writing Includes bibliographical references. At sixteen, Alice, a gifted and highly sensitive teenager in her final year of school, has it all: perfect parents, loyal friends and big plans to attend university. She would never have imagined that in a week everything could vanish. After a party where things go horribly wrong, Alice has a dark secret, one she longs to tell her mother, Penelope, with whom she shares a close bond. But when Penelope is killed in a head-on collision on route to an unknown destination, Alice is bereft of both confidante and guardian.In the chaotic days following her mother's death, Alice discovers she was having an online affair. She fears that her mother's deception renders their whole life together a lie. As she delves into this mystery, she becomes obsessed with the secret life of Penelope and is torn between her pursuit of the lover's identity and an instinct to abandon the search. She is simultaneously embroiled in a series of scandals at school. Disillusioned, Alice risks everything to uncover a truth which she believes will miraculously solve her crisis. Her best friend, Theresa, is the constant voice of reason which Alice wilfully ignores. When she finally tracks her mother's lover to his home, her neat judgements disintegrate as they encounter a complex reality. The idea of Penelope as a sexual and emotional being, not simply a one-sided symbol of maternal care that sacrifices herself to the needs of her family, is, for Alice, deeply disturbing but ultimately redemptive. In this coming-of-age story, as Alice begins to relinquish her judgement of others, she is able to forgive herself for her own failings and accept ambiguity as part of life. It is her decision to move beyond prescribed roles as well as to identify and fulfil her own needs that constitutes her essential development into maturity. It is a story for young adults that acknowledges that childhood is the springboard from which we launch ourselves into the world, that the things we learn in adolescence and the ways in which we cope with adversity during that time determine to a large extent the adults we will become and that those youthful choices reverberate throughout our lives. 2014-12-26T14:05:42Z 2014-12-26T14:05:42Z 2008 Master Thesis Masters MA http://hdl.handle.net/11427/10090 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle Creative Writing
Barr-Sanders, Amy
The things we left unsaid
thesis_degree_str Master's
title The things we left unsaid
title_full The things we left unsaid
title_fullStr The things we left unsaid
title_full_unstemmed The things we left unsaid
title_short The things we left unsaid
title_sort things we left unsaid
topic Creative Writing
url http://hdl.handle.net/11427/10090
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