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Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper

Includes bibliographical references.

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Main Author: Holtzhausen, Janita
Format: Thesis
Language:English
Published: Department of English Language and Literature 2015
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access_status_str Open Access
author Holtzhausen, Janita
author_browse Holtzhausen, Janita
author_facet Holtzhausen, Janita
author_sort Holtzhausen, Janita
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/11159
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:42:34.429Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/11159 Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper Holtzhausen, Janita English in Literature and Modernity Includes bibliographical references. This dissertation analyses and compares the narrative strategies in J.M. Coetzee’s Summertime and Marlene van Niekerk’s Die sneeuslaper and considers the implications of these strategies for the authors’ exploration of the ethics of writing. Much has been written about the literary oeuvres of both Coetzee and Van Niekerk, including studies of the translations of Van Niekerk’s Afrikaans novels into English. There are few “interlingual” comparative studies of contemporary works in Afrikaans and English, however, and certainly none to my knowledge which compares the work of Coetzee and Van Niekerk. My contribution to the conversation about Coetzee’s and Van Niekerk’s work, but also to an increasingly multilingual and interconnected South African literary criticism, will be a comparison of one recent work by each of these two authors, written in English and Afrikaans respectively. I draw on the theories of Bakhtin, Barthes and Levinas to consider the ethical dimension of texts in which “double-voicedness”, a questioning not only of existence, but of the self is fore grounded in the content and narrative structure; where there is a shift in focus from the author to the reader (“the birth of the reader”) and “utterances” are made with the response of “the other” in mind. 2015-01-03T18:10:22Z 2015-01-03T18:10:22Z 2013 Master Thesis Masters MA http://hdl.handle.net/11427/11159 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English in Literature and Modernity
Holtzhausen, Janita
Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
thesis_degree_str Master's
title Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
title_full Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
title_fullStr Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
title_full_unstemmed Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
title_short Whose story is it anyway? The ethics of narration and the narration of ethics in Summertime and Die Sneeuslaper
title_sort whose story is it anyway the ethics of narration and the narration of ethics in summertime and die sneeuslaper
topic English in Literature and Modernity
url http://hdl.handle.net/11427/11159
work_keys_str_mv AT holtzhausenjanita whosestoryisitanywaytheethicsofnarrationandthenarrationofethicsinsummertimeanddiesneeuslaper