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Begging for change: engaging with Johannesburg in post-apartheid South African film

Includes bibliographical references.

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Bibliographic Details
Main Author: Herman, Daniel David
Other Authors: Rijsdijk, Ian-Malcolm
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2015
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access_status_str Open Access
author Herman, Daniel David
author2 Rijsdijk, Ian-Malcolm
author_browse Herman, Daniel David
Rijsdijk, Ian-Malcolm
author_facet Rijsdijk, Ian-Malcolm
Herman, Daniel David
author_sort Herman, Daniel David
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/12316
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:31:52.071Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/12316 Begging for change: engaging with Johannesburg in post-apartheid South African film Herman, Daniel David Rijsdijk, Ian-Malcolm Film and Media Studies Includes bibliographical references. The city of Johannesburg is globally identified with issues of inequality, prejudice and transformation. This identification is reinforced by the city's representation in film, in particular those of the post-apartheid era, which tend to emphasize the city's problems. The transformative power of living in Johannesburg, in particular how this experience impacts and shifts the personalities and experiences of the city's inhabitants, is often ignored. This thesis sets out to explore and analyse the consequences of engagement with Johannesburg by exploring the impact of the city on the protagonists in four post-apartheid Johannesburg films. The films that will be analysed - Jump the Gun (1996), Hijack Stories (2000), Tsotsi (2005), and District 9 (2009) - portray life in post-apartheid Johannesburg. These films were chosen because they have narratives that illustrate character transformation through exposure to the city of Johannesburg. The decision to focus on films that depict this era is deliberate, and I have done this in order to identify a new way of living in Johannesburg that is unique to this time period. In addition, the spread of years highlights how the experience of living in Johannesburg has changed over time. 2015-01-27T09:37:36Z 2015-01-27T09:37:36Z 2012 Master Thesis Masters MA http://hdl.handle.net/11427/12316 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town
spellingShingle Film and Media Studies
Herman, Daniel David
Begging for change: engaging with Johannesburg in post-apartheid South African film
thesis_degree_str Master's
title Begging for change: engaging with Johannesburg in post-apartheid South African film
title_full Begging for change: engaging with Johannesburg in post-apartheid South African film
title_fullStr Begging for change: engaging with Johannesburg in post-apartheid South African film
title_full_unstemmed Begging for change: engaging with Johannesburg in post-apartheid South African film
title_short Begging for change: engaging with Johannesburg in post-apartheid South African film
title_sort begging for change engaging with johannesburg in post apartheid south african film
topic Film and Media Studies
url http://hdl.handle.net/11427/12316
work_keys_str_mv AT hermandanieldavid beggingforchangeengagingwithjohannesburginpostapartheidsouthafricanfilm