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Free falling bird : an encounter with the Trojan women of Euripides.

Includes bibliographical references.

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Bibliographic Details
Main Author: Jephta, Amy
Format: Thesis
Language:English
Published: Department of Drama 2015
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access_status_str Open Access
author Jephta, Amy
author_browse Jephta, Amy
author_facet Jephta, Amy
author_sort Jephta, Amy
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/12318
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:21.936Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Department of Drama
publisherStr Department of Drama
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/12318 Free falling bird : an encounter with the Trojan women of Euripides. Jephta, Amy Theatre and performance Includes bibliographical references. The focus of this research relates to finding praxis for making theatre within a contemporary feminist framework with specific emphasis on writing for the theatre. It explores ways of opening up the possibility of feminist conversations beginning with the written text and how playwriting may problematise the representations of women on stage. This essay is a supporting document to my script, Free Falling Bird, as well as a supplement to the full production of the script in partial fulfillment of my MA degree in Theatre and Performance with a focus on playwriting. Firstly, I will establish a context by tracing the history and evolution of feminist performance practice, focusing especially on process, form and purpose, and introduce Sue-Ellen Case’s notion of contiguity as well as recent developments in post-feminism from theorists Elizabeth Wright and Elin Diamond. I will use the work of Roland Barthes, Richard Schechner, Hans-Thiess Lehmann and Catherine Bouko to trace parallel developments in the field of post dramatic theatre, especially with regards to the ‘death of the author’ and the decentralisation of the playwright as the maker of meaning. Finally, I will introduce Simone Benmussa and Helene Cixous’ term ‘spheres of disturbance’, as adopted by Elaine Aston, to propose how feminist playwriting may offer an intervention which disturbs the representations of women on stage. Secondly, I explore a practical model for creating and staging theatre which is located in the ‘sphere of disturbance’. Using a scheme proposed by Aston, I will offer an analysis of my own text and look at Diamond’s writing on narrative interventions in order to offer ways that the feminist text may be ‘ activated’ in performance. Finally, I return to the post dramatic, focusing on Hans-Thiess Lehmann’s notion of independent auditory semiotics, Liz Mills’ writing on acoustic spaces and Bouko’s ideas around the jazz body of the performer to investigate how the silenced female can articulate, speak and sound herself. I will lastly discuss how the combination of theory and practice articulated in this essay will feed into my own process as I work towards staging work which embodies and gives voice to the female experience. 2015-01-27T09:42:33Z 2015-01-27T09:42:33Z 2012 Master Thesis Masters MA http://hdl.handle.net/11427/12318 eng application/pdf Department of Drama Faculty of Humanities University of Cape Town
spellingShingle Theatre and performance
Jephta, Amy
Free falling bird : an encounter with the Trojan women of Euripides.
thesis_degree_str Master's
title Free falling bird : an encounter with the Trojan women of Euripides.
title_full Free falling bird : an encounter with the Trojan women of Euripides.
title_fullStr Free falling bird : an encounter with the Trojan women of Euripides.
title_full_unstemmed Free falling bird : an encounter with the Trojan women of Euripides.
title_short Free falling bird : an encounter with the Trojan women of Euripides.
title_sort free falling bird an encounter with the trojan women of euripides
topic Theatre and performance
url http://hdl.handle.net/11427/12318
work_keys_str_mv AT jephtaamy freefallingbirdanencounterwiththetrojanwomenofeuripides