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Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon

Includes bibliographical references.

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Bibliographic Details
Main Author: Katzke, Cecilia Johanna
Other Authors: Pather, Jay
Format: Thesis
Language:English
Published: College of Music 2015
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access_status_str Open Access
author Katzke, Cecilia Johanna
author2 Pather, Jay
author_browse Katzke, Cecilia Johanna
Pather, Jay
author_facet Pather, Jay
Katzke, Cecilia Johanna
author_sort Katzke, Cecilia Johanna
collection Thesis
description Includes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/12878
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:51:43.225Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher College of Music
publisherStr College of Music
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/12878 Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon Katzke, Cecilia Johanna Pather, Jay Samuel, Gerard Music Includes bibliographical references. This qualititative, interdisciplinary study predominantly focuses on the South African choreographer Robyn Orlin and her deconstructions of classical ballet. To inform a gender-centred investigation of Orlin’s work, attention is given to the origins of patriarchal dualisms and the way in which these manifest in contemporary Western culture. Emphasis is placed on the institutional repression of the body as a way to preserve particular power structures. In this instance the theories of Michel Foucault, in particular, are referenced. His concepts serve to illuminate a consideration of Western concert dance, with a particular focus on classical ballet, as an institution that sustains gender as a system of power. The origins of the aesthetic of the ballerina as an icon of femininity, and the way in which certain values and expectations impact on the bodies of female ballet dancers, particularly but not exclusively, provides a context for the discussion of Orlin’s work – how and why her form and content questions and undermines the perpetuation of traditional gender stereotypes in classical ballet. This dissertation examines Orlin’s work in order to expand discourse around the subversive potential of the female body, informed by an understanding of the body as an ever-changing entity that resists definition by way of essentialist meanings. 2015-05-26T14:18:28Z 2015-05-26T14:18:28Z 2014 Master Thesis Masters MA http://hdl.handle.net/11427/12878 eng application/pdf College of Music Faculty of Humanities University of Cape Town
spellingShingle Music
Katzke, Cecilia Johanna
Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon
thesis_degree_str Master's
title Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon
title_full Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon
title_fullStr Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon
title_full_unstemmed Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon
title_short Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon
title_sort probing the politics of the female body robyn orlin s deconstruction of the classical ballet canon
topic Music
url http://hdl.handle.net/11427/12878
work_keys_str_mv AT katzkececiliajohanna probingthepoliticsofthefemalebodyrobynorlinsdeconstructionoftheclassicalballetcanon