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All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah

Inlcudes bibliographical references.

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Bibliographic Details
Main Author: Chetty, Kavish
Other Authors: Sofianos, K
Format: Thesis
Language:English
Published: Department of English Language and Literature 2015
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access_status_str Open Access
author Chetty, Kavish
author2 Sofianos, K
author_browse Chetty, Kavish
Sofianos, K
author_facet Sofianos, K
Chetty, Kavish
author_sort Chetty, Kavish
collection Thesis
description Inlcudes bibliographical references.
format Thesis
id oai:open.uct.ac.za:11427/13662
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:08.355Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2015
publishDateRange 2015
publishDateSort 2015
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/13662 All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah Chetty, Kavish Sofianos, K Ouma, C English Literary Studies Inlcudes bibliographical references. This paper examines representations of existential alienation in two early novels by the Ghanaian author Ayi Kwei Armah. The introductory chapter extrapolates an account of how the representational strategies of existential alienation produce specific effects on the act of self - writing. From there, the paper explores these effects in Armah’s The Beautyful Ones Are Not Yet Born (1968), arguing that alienation is a valuable heuristic in unlocking the novel’s complex meditation on how abstract, macrohistorical forces like neo - colonialism come to be registered in the most intimate aspects of the subject’s experience of the world. As such, if one restores the historical details of Ghana’s “post-colonial” moment, the novel is redeemed from Chinua Achebe’s assertion that the novel is “sick [...] not with the sickness of Ghana, but the sickness of the human condition”. Representations of alienation have a diagnostic function in The Beautyful Ones . The second chapter examines alienation under the new imaginative terrains of Armah’s Two Thousand Seasons (1973), and articulates the experiments in formal representation in that novel with Armah’s inaugural concern with the possibility of a prognostic appraisal of the alienation so widely thematised in his earlier trilogy. Both studies are undertaken, finally, to explore the ways in which modernity has been received in African literature, and to demonstrate the analytic value of existential alienation in understanding the crises of a specifically African modernity. 2015-08-10T06:32:04Z 2015-08-10T06:32:04Z 2015 Master Thesis Masters MA http://hdl.handle.net/11427/13662 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Literary Studies
Chetty, Kavish
All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah
thesis_degree_str Master's
title All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah
title_full All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah
title_fullStr All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah
title_full_unstemmed All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah
title_short All life converges to some centre: alienation and modernity in the early Ayi Kwei Armah
title_sort all life converges to some centre alienation and modernity in the early ayi kwei armah
topic English Literary Studies
url http://hdl.handle.net/11427/13662
work_keys_str_mv AT chettykavish alllifeconvergestosomecentrealienationandmodernityintheearlyayikweiarmah