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Exploding spaces : present and future urban spaces cinematically considered

Summary in English.

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Bibliographic Details
Main Author: Rijsdijk, Ian-Malcolm
Other Authors: Marx, Lesley
Format: Thesis
Language:English
Published: Centre for Film and Media Studies 2016
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access_status_str Open Access
author Rijsdijk, Ian-Malcolm
author2 Marx, Lesley
author_browse Marx, Lesley
Rijsdijk, Ian-Malcolm
author_facet Marx, Lesley
Rijsdijk, Ian-Malcolm
author_sort Rijsdijk, Ian-Malcolm
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description Summary in English.
format Thesis
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institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:12.136Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publisher Centre for Film and Media Studies
publisherStr Centre for Film and Media Studies
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/17955 Exploding spaces : present and future urban spaces cinematically considered Rijsdijk, Ian-Malcolm Marx, Lesley Literary Studies Summary in English. Bibliography: pages 148-152. This study seeks to understand the visual dynamics of contemporary science fiction cities in film by exploring a number of diverse architectural and cinematic influences. The argument is initiated through a consideration of utopianism and science fiction, before moving onto specific architectural analysis focused on utopian plans from the modernist period, and the growth of New York during the 1920s. Through a brief reading of German Expressionist Cinema in Chapter 3, the spatial and architectural groundwork is laid for the analysis of several films in Chapters 4-6: Disclosure, Blade Runner, Selen, The Devil's Advocate, 12 Monkeys and The Fifth Element. (While not all the films would be considered as science fiction, those non-science fiction films offer provocative readings of the city as a whole). Within the discussion of these films, the paradigmatic nature of New York and Los Angeles is also analyzed. The author finds that the central thesis holds, though discussion of other contemporary films not dealt with here could produce an alternative interpretation. Specifically, the work of Edward Soja and Michel Foucault provide fruitful lines of examination through an engagement with the spatiality of postmodernism, though postmodernism is not analyzed in itself. The dissertation aims to have current application, in terms of the recent release of some of the films, but is also written with the aim of future expansion, stressing the design aspect of contemporary film. 2016-03-17T12:43:19Z 2016-03-17T12:43:19Z 1998 Master Thesis Masters MLitt http://hdl.handle.net/11427/17955 eng application/pdf Centre for Film and Media Studies Faculty of Humanities University of Cape Town
spellingShingle Literary Studies
Rijsdijk, Ian-Malcolm
Exploding spaces : present and future urban spaces cinematically considered
thesis_degree_str Master's
title Exploding spaces : present and future urban spaces cinematically considered
title_full Exploding spaces : present and future urban spaces cinematically considered
title_fullStr Exploding spaces : present and future urban spaces cinematically considered
title_full_unstemmed Exploding spaces : present and future urban spaces cinematically considered
title_short Exploding spaces : present and future urban spaces cinematically considered
title_sort exploding spaces present and future urban spaces cinematically considered
topic Literary Studies
url http://hdl.handle.net/11427/17955
work_keys_str_mv AT rijsdijkianmalcolm explodingspacespresentandfutureurbanspacescinematicallyconsidered