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Unsettling whiteness : Kipling's Boers and the case for a white subalternity

The 'Bard of Empire' Rudyard Kipling's Boer War (or South African War) writing has largely been dismissed as jingoism. Yet these texts may well have something to contribute both to existing discourses around colonialism, as well as to our understanding of South Africa's deeply intertwined racial and...

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Main Author: Retief, Zed
Other Authors: Twidle, Hedley
Format: Thesis
Language:English
Published: Department of English Language and Literature 2016
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access_status_str Open Access
author Retief, Zed
author2 Twidle, Hedley
author_browse Retief, Zed
Twidle, Hedley
author_facet Twidle, Hedley
Retief, Zed
author_sort Retief, Zed
collection Thesis
description The 'Bard of Empire' Rudyard Kipling's Boer War (or South African War) writing has largely been dismissed as jingoism. Yet these texts may well have something to contribute both to existing discourses around colonialism, as well as to our understanding of South Africa's deeply intertwined racial and political history. While his Indian writing is also informed by an imperial ideology, Kipling's South African writing is more overtly dogged by imperial contradictions and a lack of thematic and narrative clarity. As such, his Indian writing provides a useful touch-point throughout this thesis. Of particular interest here is the seeming tension between Kipling's representations of the Boers as both 'degenerate' and as 'white'. Broadly, in the course of this thesis this tension is approached in two ways. This first of these considers the motivating forces behind Kipling's racialization of the Boers, specifically in terms of the anxieties provoked by the colonisation of another 'white' race. As such, this anxiety is read as stemming largely from a perceived cultural trangression on the part of the Boers - an inversion of the dynamic that typifies many of Kipling's Indian texts. Following this, some of the rhetorical devices by which Kipling (re)enforces notions of 'white loyalty' and, more broadly, a strict visually marked racial hierarchy, are considered. In so doing, some of Kipling's Boers are read as, somewhat surprisingly, representing a silenced subaltern voice who are made to speak exclusively in support of the empire. Through the commingling of these representations Kipling seems to participate in a discursive conflict over the conception of whiteness both within the empire and South Africa.
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provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
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spelling oai:open.uct.ac.za:11427/18794 Unsettling whiteness : Kipling's Boers and the case for a white subalternity Retief, Zed Twidle, Hedley English The 'Bard of Empire' Rudyard Kipling's Boer War (or South African War) writing has largely been dismissed as jingoism. Yet these texts may well have something to contribute both to existing discourses around colonialism, as well as to our understanding of South Africa's deeply intertwined racial and political history. While his Indian writing is also informed by an imperial ideology, Kipling's South African writing is more overtly dogged by imperial contradictions and a lack of thematic and narrative clarity. As such, his Indian writing provides a useful touch-point throughout this thesis. Of particular interest here is the seeming tension between Kipling's representations of the Boers as both 'degenerate' and as 'white'. Broadly, in the course of this thesis this tension is approached in two ways. This first of these considers the motivating forces behind Kipling's racialization of the Boers, specifically in terms of the anxieties provoked by the colonisation of another 'white' race. As such, this anxiety is read as stemming largely from a perceived cultural trangression on the part of the Boers - an inversion of the dynamic that typifies many of Kipling's Indian texts. Following this, some of the rhetorical devices by which Kipling (re)enforces notions of 'white loyalty' and, more broadly, a strict visually marked racial hierarchy, are considered. In so doing, some of Kipling's Boers are read as, somewhat surprisingly, representing a silenced subaltern voice who are made to speak exclusively in support of the empire. Through the commingling of these representations Kipling seems to participate in a discursive conflict over the conception of whiteness both within the empire and South Africa. 2016-04-12T09:35:19Z 2016-04-12T09:35:19Z 2013 Master Thesis Masters MA http://hdl.handle.net/11427/18794 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English
Retief, Zed
Unsettling whiteness : Kipling's Boers and the case for a white subalternity
thesis_degree_str Master's
title Unsettling whiteness : Kipling's Boers and the case for a white subalternity
title_full Unsettling whiteness : Kipling's Boers and the case for a white subalternity
title_fullStr Unsettling whiteness : Kipling's Boers and the case for a white subalternity
title_full_unstemmed Unsettling whiteness : Kipling's Boers and the case for a white subalternity
title_short Unsettling whiteness : Kipling's Boers and the case for a white subalternity
title_sort unsettling whiteness kipling s boers and the case for a white subalternity
topic English
url http://hdl.handle.net/11427/18794
work_keys_str_mv AT retiefzed unsettlingwhitenesskiplingsboersandthecaseforawhitesubalternity