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Bibliography: pages 58-62.
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
| Published: |
Michaelis School of Fine Art
2016
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| _version_ | 1867611337091186688 |
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| access_status_str | Open Access |
| author | Baholo, Keresemose Richard |
| author2 | Payne, Malcolm |
| author_browse | Baholo, Keresemose Richard Payne, Malcolm |
| author_facet | Payne, Malcolm Baholo, Keresemose Richard |
| author_sort | Baholo, Keresemose Richard |
| collection | Thesis |
| description | Bibliography: pages 58-62. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/21197 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2016 |
| publishDateRange | 2016 |
| publishDateSort | 2016 |
| publisher | Michaelis School of Fine Art |
| publisherStr | Michaelis School of Fine Art |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/21197 A pictorial response to certain witchcraft beliefs within Northern Sotho communities Baholo, Keresemose Richard Payne, Malcolm Tlokwa (African people) Oral tradition - South Africa - Northern Transvaal Witchcraft in art Art, South African Bibliography: pages 58-62. This study focuses on stories of witchcraft within the Batlokwa - a sub-group of the Northern Sotho community living in the northern Transvaal. Having grown up in this society where witchcraft beliefs are predominant, my fears, as a child, of witches were very real. In later life I have attempted to ignore these fears. However, I do not think they will ever disappear entirely, as I will never be able to extricate myself from my origins. This experience of the dangerous witch is one of the reasons that compelled me to respond pictorially to some of these perceptions for the purpose of highlighting the concerns of ordinary people and the extent to which they have been affected by belief in witchcraft. My paintings are a translation of real and unreal incidents fused together producing a visual narrative. 2016-08-11T10:22:21Z 2016-08-11T10:22:21Z 1994 Master Thesis Masters MFA http://hdl.handle.net/11427/21197 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town |
| spellingShingle | Tlokwa (African people) Oral tradition - South Africa - Northern Transvaal Witchcraft in art Art, South African Baholo, Keresemose Richard A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
| thesis_degree_str | Master's |
| title | A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
| title_full | A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
| title_fullStr | A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
| title_full_unstemmed | A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
| title_short | A pictorial response to certain witchcraft beliefs within Northern Sotho communities |
| title_sort | pictorial response to certain witchcraft beliefs within northern sotho communities |
| topic | Tlokwa (African people) Oral tradition - South Africa - Northern Transvaal Witchcraft in art Art, South African |
| url | http://hdl.handle.net/11427/21197 |
| work_keys_str_mv | AT baholokeresemoserichard apictorialresponsetocertainwitchcraftbeliefswithinnorthernsothocommunities AT baholokeresemoserichard pictorialresponsetocertainwitchcraftbeliefswithinnorthernsothocommunities |