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Die ironie in enkele gedigte in Tristia van N P van Wyk Louw

This study is an investigation of the ironical attribute inherent in poems which appear in Tristia by N P van Wyk Louw. The thesis can be divided into two sections: the first is an attempt at describing and defining philosophical irony; while the second serves as an introduction to the method (princ...

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Main Author: Smuts, Susanna Elizabeth
Format: Thesis
Language:Afrikaans
Published: Afrikaans and Netherlandic Studies 2016
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access_status_str Open Access
author Smuts, Susanna Elizabeth
author_browse Smuts, Susanna Elizabeth
author_facet Smuts, Susanna Elizabeth
author_sort Smuts, Susanna Elizabeth
collection Thesis
description This study is an investigation of the ironical attribute inherent in poems which appear in Tristia by N P van Wyk Louw. The thesis can be divided into two sections: the first is an attempt at describing and defining philosophical irony; while the second serves as an introduction to the method (principally Literary Semantic) applied in the in-depth analysis in Chapter 4. The first chapter is a brief description of the history of irony starting ,with Socratic irony. Chapter 2.1 gives an eclectic view of the metaphysical irony of Nietzsche and his view of art. Chapter 2.2 describes Soren Kierkegaard's concept of irony and his distinction between aesthetic and ethic irony. It should become apparent that the religious irony of Kierkegaard flows mainly from the counterdistinction of the human to the godlike. In Chapter 2.3 existential irony is defined with reference to Kierkegaard as father of existential irony. N P van Wyk Louw's statements on art and his philosophy is viewed in chapter 2.4 with reference to the theories of the above mentioned philosophers. Chapter 3 refers to the poem as a vehicle for various implication phenomena, and views irony as a specific implication phenomenon. This section uses as an analytical foundation J L Austin's Speech Act Semantics and F de Saussure's distinction of synchronic and diachronic linguistics. Some definitions of irony are evaluated. No alternative definition is provided but some assumptions are put forward on the function of irony as a form of implication. Chapter 4 comprises in-depth text analyses of selected poems in Tristia. The function of irony in these poems is investigated. Chapter 5 provides a general explanation for the use of irony in Tristia. Two vital poems in Tristia are looked at and it is concluded that poetry is the medium through which this poet identifies his ironical relationship to the universe.
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institution University of Cape Town (South Africa)
language afr
last_indexed 2026-06-10T12:33:12.104Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2016
publishDateRange 2016
publishDateSort 2016
publisher Afrikaans and Netherlandic Studies
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spelling oai:open.uct.ac.za:11427/21968 Die ironie in enkele gedigte in Tristia van N P van Wyk Louw Smuts, Susanna Elizabeth Afrikaans poetry This study is an investigation of the ironical attribute inherent in poems which appear in Tristia by N P van Wyk Louw. The thesis can be divided into two sections: the first is an attempt at describing and defining philosophical irony; while the second serves as an introduction to the method (principally Literary Semantic) applied in the in-depth analysis in Chapter 4. The first chapter is a brief description of the history of irony starting ,with Socratic irony. Chapter 2.1 gives an eclectic view of the metaphysical irony of Nietzsche and his view of art. Chapter 2.2 describes Soren Kierkegaard's concept of irony and his distinction between aesthetic and ethic irony. It should become apparent that the religious irony of Kierkegaard flows mainly from the counterdistinction of the human to the godlike. In Chapter 2.3 existential irony is defined with reference to Kierkegaard as father of existential irony. N P van Wyk Louw's statements on art and his philosophy is viewed in chapter 2.4 with reference to the theories of the above mentioned philosophers. Chapter 3 refers to the poem as a vehicle for various implication phenomena, and views irony as a specific implication phenomenon. This section uses as an analytical foundation J L Austin's Speech Act Semantics and F de Saussure's distinction of synchronic and diachronic linguistics. Some definitions of irony are evaluated. No alternative definition is provided but some assumptions are put forward on the function of irony as a form of implication. Chapter 4 comprises in-depth text analyses of selected poems in Tristia. The function of irony in these poems is investigated. Chapter 5 provides a general explanation for the use of irony in Tristia. Two vital poems in Tristia are looked at and it is concluded that poetry is the medium through which this poet identifies his ironical relationship to the universe. 2016-09-28T19:01:49Z 2016-09-28T19:01:49Z 1984 Master Thesis Masters MA http://hdl.handle.net/11427/21968 afr application/pdf Afrikaans and Netherlandic Studies Faculty of Humanities University of Cape Town
spellingShingle Afrikaans poetry
Smuts, Susanna Elizabeth
Die ironie in enkele gedigte in Tristia van N P van Wyk Louw
thesis_degree_str Master's
title Die ironie in enkele gedigte in Tristia van N P van Wyk Louw
title_full Die ironie in enkele gedigte in Tristia van N P van Wyk Louw
title_fullStr Die ironie in enkele gedigte in Tristia van N P van Wyk Louw
title_full_unstemmed Die ironie in enkele gedigte in Tristia van N P van Wyk Louw
title_short Die ironie in enkele gedigte in Tristia van N P van Wyk Louw
title_sort die ironie in enkele gedigte in tristia van n p van wyk louw
topic Afrikaans poetry
url http://hdl.handle.net/11427/21968
work_keys_str_mv AT smutssusannaelizabeth dieironieinenkelegedigteintristiavannpvanwyklouw