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This dissertation attempts to draw parallels between my process as a graphic artist and my process as a theatre-maker. The study has been prompted by my discovery of theatre-practitioners whose graphic art practices preceded and suffused their subsequent performance works and my desire to trace the...
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
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Department of Drama
2017
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| _version_ | 1867613144465014787 |
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| access_status_str | Open Access |
| author | Nassimbeni, Francesco |
| author2 | Fleishman, Mark |
| author_browse | Fleishman, Mark Nassimbeni, Francesco |
| author_facet | Fleishman, Mark Nassimbeni, Francesco |
| author_sort | Nassimbeni, Francesco |
| collection | Thesis |
| description | This dissertation attempts to draw parallels between my process as a graphic artist and my process as a theatre-maker. The study has been prompted by my discovery of theatre-practitioners whose graphic art practices preceded and suffused their subsequent performance works and my desire to trace the antecedents of this phenomenon. The dissertation charts the movement from art to performance as exemplified by the Futurist and Bauhaus schools who devised a poetics of abstraction for the theatrical stage. Drawing on the theoretical frameworks and modes of practice developed by artists associated with these historical movements, I identify attributes of my own works that function in similar ways. I then go on to link my practice to the concept of the postdramatic as outlined by Hans-Thies Lehmann, with a specific focus on how visuality operates in postdramatic performances. I conclude by articulating the artistic and creative principles that will inform my final production in 2017. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/25424 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:31:28.055Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publisher | Department of Drama |
| publisherStr | Department of Drama |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/25424 Picture-making through performance - experiments in visual dramaturgy Nassimbeni, Francesco Fleishman, Mark Theatre Making This dissertation attempts to draw parallels between my process as a graphic artist and my process as a theatre-maker. The study has been prompted by my discovery of theatre-practitioners whose graphic art practices preceded and suffused their subsequent performance works and my desire to trace the antecedents of this phenomenon. The dissertation charts the movement from art to performance as exemplified by the Futurist and Bauhaus schools who devised a poetics of abstraction for the theatrical stage. Drawing on the theoretical frameworks and modes of practice developed by artists associated with these historical movements, I identify attributes of my own works that function in similar ways. I then go on to link my practice to the concept of the postdramatic as outlined by Hans-Thies Lehmann, with a specific focus on how visuality operates in postdramatic performances. I conclude by articulating the artistic and creative principles that will inform my final production in 2017. 2017-09-26T15:00:33Z 2017-09-26T15:00:33Z 2017 Master Thesis Masters MA http://hdl.handle.net/11427/25424 eng application/pdf Department of Drama Faculty of Humanities University of Cape Town |
| spellingShingle | Theatre Making Nassimbeni, Francesco Picture-making through performance - experiments in visual dramaturgy |
| thesis_degree_str | Master's |
| title | Picture-making through performance - experiments in visual dramaturgy |
| title_full | Picture-making through performance - experiments in visual dramaturgy |
| title_fullStr | Picture-making through performance - experiments in visual dramaturgy |
| title_full_unstemmed | Picture-making through performance - experiments in visual dramaturgy |
| title_short | Picture-making through performance - experiments in visual dramaturgy |
| title_sort | picture making through performance experiments in visual dramaturgy |
| topic | Theatre Making |
| url | http://hdl.handle.net/11427/25424 |
| work_keys_str_mv | AT nassimbenifrancesco picturemakingthroughperformanceexperimentsinvisualdramaturgy |