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Claiming process : a strategy of production in approaching notions of self, biography and community in painting

My project is an exploration of process within the painting medium, themed round my experiences of 'self' and community, as located in my past and present circumstances. Throughout my work, my intention has been to explore my social, personal and political 'beliefs' in order to create a body of pain...

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Main Author: Nichol, Catherine
Other Authors: Langerman, Fritha
Format: Thesis
Language:English
Published: Michaelis School of Fine Art 2017
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access_status_str Open Access
author Nichol, Catherine
author2 Langerman, Fritha
author_browse Langerman, Fritha
Nichol, Catherine
author_facet Langerman, Fritha
Nichol, Catherine
author_sort Nichol, Catherine
collection Thesis
description My project is an exploration of process within the painting medium, themed round my experiences of 'self' and community, as located in my past and present circumstances. Throughout my work, my intention has been to explore my social, personal and political 'beliefs' in order to create a body of paintings that both reflects and challenges my 'belief' structures. In my work there are contradictory desires for change and stability, and an ongoing struggle between location and dislocation.
format Thesis
id oai:open.uct.ac.za:11427/25921
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:34:27.383Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2017
publishDateRange 2017
publishDateSort 2017
publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/25921 Claiming process : a strategy of production in approaching notions of self, biography and community in painting Nichol, Catherine Langerman, Fritha Fine Art My project is an exploration of process within the painting medium, themed round my experiences of 'self' and community, as located in my past and present circumstances. Throughout my work, my intention has been to explore my social, personal and political 'beliefs' in order to create a body of paintings that both reflects and challenges my 'belief' structures. In my work there are contradictory desires for change and stability, and an ongoing struggle between location and dislocation. 2017-10-30T13:52:07Z 2017-10-30T13:52:07Z 2002 2017-03-10T09:09:51Z Master Thesis Masters MFA http://hdl.handle.net/11427/25921 eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town
spellingShingle Fine Art
Nichol, Catherine
Claiming process : a strategy of production in approaching notions of self, biography and community in painting
thesis_degree_str Master's
title Claiming process : a strategy of production in approaching notions of self, biography and community in painting
title_full Claiming process : a strategy of production in approaching notions of self, biography and community in painting
title_fullStr Claiming process : a strategy of production in approaching notions of self, biography and community in painting
title_full_unstemmed Claiming process : a strategy of production in approaching notions of self, biography and community in painting
title_short Claiming process : a strategy of production in approaching notions of self, biography and community in painting
title_sort claiming process a strategy of production in approaching notions of self biography and community in painting
topic Fine Art
url http://hdl.handle.net/11427/25921
work_keys_str_mv AT nicholcatherine claimingprocessastrategyofproductioninapproachingnotionsofselfbiographyandcommunityinpainting