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Practices of Listening: (Re)percussions of Sound, Silences and Censorship from (Post-)Apartheid South Africa
This project is situated in the area of sonic art and explores my personal biography in relation to sound, silence, censorship and social control. Using the artistic productions of John Cage, I examine silence as both an object—a recording in a fixed medium—and as a verb directly addressing the ques...
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| Language: | English |
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Michaelis School of Fine Art
2019
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