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Extracting Meaning: Toward a restored collective memory
Spaces hold memories, both good and bad. Preserved in the landscapes of the City of Cape Town is many unspoken memories of past events. Higgovale Quarry is one of these. This void was laboured to supply the stone that built the Rhodes memorial, among many other buildings that created this colonial c...
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| Format: | Thesis |
| Language: | English |
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School of Architecture, Planning and Geomatics
2023
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| _version_ | 1867613219521036288 |
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| access_status_str | Open Access |
| author | Roets, Chamonix |
| author2 | Le, Grange Simone |
| author_browse | Le, Grange Simone Roets, Chamonix |
| author_facet | Le, Grange Simone Roets, Chamonix |
| author_sort | Roets, Chamonix |
| collection | Thesis |
| description | Spaces hold memories, both good and bad. Preserved in the landscapes of the City of Cape Town is many unspoken memories of past events. Higgovale Quarry is one of these. This void was laboured to supply the stone that built the Rhodes memorial, among many other buildings that created this colonial city of the 1800s. The problem is twofold. Firstly, the people most affected by Rhodes's actions, the marginalised people of Cape town do not have access to Table Mountain, the symbol of the city. Secondly, there is a need to rethink the way memorials are made and memories are captured. The days of employing traditional memorials to capture collective memories are numbered. There is an opportunity to challenge the linearity and one-sidedness of traditional static memorials and discover means to dynamic ways of memorialising that aim to engage the everyday experience interactively. The aim is to mobilise the Higgovale quarry as a site of active consciousness that can contribute to the restoration of collective memory and access to the mountain. Therefore, I am designing a cultural centre. I am doing this by creating an intervention that can display dynamically the memories of the space through the design, as well as be a stage for the memories to be displayed through performance by people from diverse cultures. I aim to sculpt a space that memorialises by framing memories dynamically through the abstract, interactive building as a memorial. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/38154 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:39.476Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | School of Architecture, Planning and Geomatics |
| publisherStr | School of Architecture, Planning and Geomatics |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/38154 Extracting Meaning: Toward a restored collective memory Roets, Chamonix Le, Grange Simone Architecture Spaces hold memories, both good and bad. Preserved in the landscapes of the City of Cape Town is many unspoken memories of past events. Higgovale Quarry is one of these. This void was laboured to supply the stone that built the Rhodes memorial, among many other buildings that created this colonial city of the 1800s. The problem is twofold. Firstly, the people most affected by Rhodes's actions, the marginalised people of Cape town do not have access to Table Mountain, the symbol of the city. Secondly, there is a need to rethink the way memorials are made and memories are captured. The days of employing traditional memorials to capture collective memories are numbered. There is an opportunity to challenge the linearity and one-sidedness of traditional static memorials and discover means to dynamic ways of memorialising that aim to engage the everyday experience interactively. The aim is to mobilise the Higgovale quarry as a site of active consciousness that can contribute to the restoration of collective memory and access to the mountain. Therefore, I am designing a cultural centre. I am doing this by creating an intervention that can display dynamically the memories of the space through the design, as well as be a stage for the memories to be displayed through performance by people from diverse cultures. I aim to sculpt a space that memorialises by framing memories dynamically through the abstract, interactive building as a memorial. 2023-07-24T10:30:19Z 2023-07-24T10:30:19Z 2023 2023-07-24T10:28:46Z Master Thesis Masters Masters of Architecture (Professional) http://hdl.handle.net/11427/38154 eng application/pdf School of Architecture, Planning and Geomatics Faculty of Engineering and the Built Environment |
| spellingShingle | Architecture Roets, Chamonix Extracting Meaning: Toward a restored collective memory |
| thesis_degree_str | Master's |
| title | Extracting Meaning: Toward a restored collective memory |
| title_full | Extracting Meaning: Toward a restored collective memory |
| title_fullStr | Extracting Meaning: Toward a restored collective memory |
| title_full_unstemmed | Extracting Meaning: Toward a restored collective memory |
| title_short | Extracting Meaning: Toward a restored collective memory |
| title_sort | extracting meaning toward a restored collective memory |
| topic | Architecture |
| url | http://hdl.handle.net/11427/38154 |
| work_keys_str_mv | AT roetschamonix extractingmeaningtowardarestoredcollectivememory |