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Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I
The Pythagoreans, for whom certain numbers held a mystical significance, stressed the connection between music and mathematics. Their concept of the universe was of an integrated, well-ordered system, which expressed the rules of music and mathematics on earthly and planetary levels. This philosophy...
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| Format: | Thesis |
| Language: | English |
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College of Music
2023
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| _version_ | 1867613166268055552 |
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| access_status_str | Open Access |
| author | Pienaar, Elizabeth Angele |
| author2 | May, James |
| author_browse | May, James Pienaar, Elizabeth Angele |
| author_facet | May, James Pienaar, Elizabeth Angele |
| author_sort | Pienaar, Elizabeth Angele |
| collection | Thesis |
| description | The Pythagoreans, for whom certain numbers held a mystical significance, stressed the connection between music and mathematics. Their concept of the universe was of an integrated, well-ordered system, which expressed the rules of music and mathematics on earthly and planetary levels. This philosophy was adapted by the early Christian church, and numbers that symbolise elements of the Christian faith can be found in medieval compositions. Bach's use of symbolism in sacred works is a continuation of this tradition, but there are numbers of personal significance as well. The numbers ten and twenty-three in Berg's music refer specifically to Hanna Fuchs and himself and have an important structural function. Crumb's compositions are characterised by allusions, especially to music of the past; the symbolic qualities are visual, aural and numerical. Makrokosmos, Volume I (Twelve Fantasy-Pieces after the 'Zodiac for Amplified Piano) is the first in a cycle of four compositions inspired by the stars. Astrological and spiritual numbers-three, four, twelve, seven and five appear to have determined the structural parameters of the pieces. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/39101 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:31:48.735Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/39101 Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I Pienaar, Elizabeth Angele May, James Music and science The Pythagoreans, for whom certain numbers held a mystical significance, stressed the connection between music and mathematics. Their concept of the universe was of an integrated, well-ordered system, which expressed the rules of music and mathematics on earthly and planetary levels. This philosophy was adapted by the early Christian church, and numbers that symbolise elements of the Christian faith can be found in medieval compositions. Bach's use of symbolism in sacred works is a continuation of this tradition, but there are numbers of personal significance as well. The numbers ten and twenty-three in Berg's music refer specifically to Hanna Fuchs and himself and have an important structural function. Crumb's compositions are characterised by allusions, especially to music of the past; the symbolic qualities are visual, aural and numerical. Makrokosmos, Volume I (Twelve Fantasy-Pieces after the 'Zodiac for Amplified Piano) is the first in a cycle of four compositions inspired by the stars. Astrological and spiritual numbers-three, four, twelve, seven and five appear to have determined the structural parameters of the pieces. 2023-12-04T09:51:26Z 2023-12-04T09:51:26Z 1997 2023-12-04T09:24:29Z Thesis / Dissertation Masters MMus http://hdl.handle.net/11427/39101 eng application/pdf College of Music Faculty of Humanities |
| spellingShingle | Music and science Pienaar, Elizabeth Angele Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I |
| thesis_degree_str | Master's |
| title | Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I |
| title_full | Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I |
| title_fullStr | Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I |
| title_full_unstemmed | Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I |
| title_short | Number symbolism in music : the harmony of the spheres and George Crumb's Makrokosmos, Volume I |
| title_sort | number symbolism in music the harmony of the spheres and george crumb s makrokosmos volume i |
| topic | Music and science |
| url | http://hdl.handle.net/11427/39101 |
| work_keys_str_mv | AT pienaarelizabethangele numbersymbolisminmusictheharmonyofthespheresandgeorgecrumbsmakrokosmosvolumei |