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Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2

This dissertation has been inspired by architectural studies showing the extent to which the medieval architect was steeped in geometrical and mathematical thinking. Researchers such as Lesser, von Simson and Wittkower have shown that, from its overall proportion to its most intimate detail of ornam...

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Main Author: Rommelaere, Paul Frederick Marie
Format: Thesis
Language:English
Published: College of Music 2023
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access_status_str Open Access
author Rommelaere, Paul Frederick Marie
author_browse Rommelaere, Paul Frederick Marie
author_facet Rommelaere, Paul Frederick Marie
author_sort Rommelaere, Paul Frederick Marie
collection Thesis
description This dissertation has been inspired by architectural studies showing the extent to which the medieval architect was steeped in geometrical and mathematical thinking. Researchers such as Lesser, von Simson and Wittkower have shown that, from its overall proportion to its most intimate detail of ornamentation, the Gothic cathedral is derived from the sacred lore of numbers and its concommitent geometric procedures, notably quadrature and triangulation. With a single basic dimension, the Gothic architect developed all the measurements of his ground plan and elevation by geometrical means, using the square and the triangle as his module. Dimensions are related, for example, by squares of which the area diminishes or increases in geometric proportion:
format Thesis
id oai:open.uct.ac.za:11427/39106
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:51:00.161Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2023
publishDateRange 2023
publishDateSort 2023
publisher College of Music
publisherStr College of Music
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/39106 Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2 Rommelaere, Paul Frederick Marie Music This dissertation has been inspired by architectural studies showing the extent to which the medieval architect was steeped in geometrical and mathematical thinking. Researchers such as Lesser, von Simson and Wittkower have shown that, from its overall proportion to its most intimate detail of ornamentation, the Gothic cathedral is derived from the sacred lore of numbers and its concommitent geometric procedures, notably quadrature and triangulation. With a single basic dimension, the Gothic architect developed all the measurements of his ground plan and elevation by geometrical means, using the square and the triangle as his module. Dimensions are related, for example, by squares of which the area diminishes or increases in geometric proportion: 2023-12-05T10:44:26Z 2023-12-05T10:44:26Z 1983 2023-12-05T10:22:17Z Thesis / Dissertation Masters Master of Music http://hdl.handle.net/11427/39106 eng application/pdf College of Music Faculty of Humanities
spellingShingle Music
Rommelaere, Paul Frederick Marie
Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2
thesis_degree_str Master's
title Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2
title_full Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2
title_fullStr Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2
title_full_unstemmed Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2
title_short Abstract geometry in the motets of Dunstable and Dufay. Volume 1 and 2
title_sort abstract geometry in the motets of dunstable and dufay volume 1 and 2
topic Music
url http://hdl.handle.net/11427/39106
work_keys_str_mv AT rommelaerepaulfrederickmarie abstractgeometryinthemotetsofdunstableanddufayvolume1and2