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Modality in the piano music of Gabriel Faure
The complete synthesis of the principles of modality and tonality is one of the most remarkable features of the harmonic style of Gabriel Faure. This survey primarily deals with instances of modal usage, and with their integration into the tonal framework. Faure was not the first composer to introdu...
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| Other Authors: | |
| Format: | Thesis |
| Language: | English |
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College of Music
2023
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| _version_ | 1867614347999576064 |
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| access_status_str | Open Access |
| author | Hofmeyr, Hendrik Pienaar |
| author2 | May, James |
| author_browse | Hofmeyr, Hendrik Pienaar May, James |
| author_facet | May, James Hofmeyr, Hendrik Pienaar |
| author_sort | Hofmeyr, Hendrik Pienaar |
| collection | Thesis |
| description | The complete synthesis of the principles of modality and tonality is one of the most remarkable features of the harmonic style of Gabriel Faure. This survey primarily deals with instances of modal usage, and with their integration into the tonal framework. Faure was not the first composer to introduce modal elements into the nineteenth-century harmonic idiom, Probably the most influential pioneer in this field was Anton Reicha (1770-1836 |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/39108 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:50:36.639Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2023 |
| publishDateRange | 2023 |
| publishDateSort | 2023 |
| publisher | College of Music |
| publisherStr | College of Music |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/39108 Modality in the piano music of Gabriel Faure Hofmeyr, Hendrik Pienaar May, James piano music The complete synthesis of the principles of modality and tonality is one of the most remarkable features of the harmonic style of Gabriel Faure. This survey primarily deals with instances of modal usage, and with their integration into the tonal framework. Faure was not the first composer to introduce modal elements into the nineteenth-century harmonic idiom, Probably the most influential pioneer in this field was Anton Reicha (1770-1836 2023-12-05T10:45:35Z 2023-12-05T10:45:35Z 1981 2023-12-05T10:32:29Z Thesis / Dissertation Masters MMus http://hdl.handle.net/11427/39108 eng application/pdf College of Music Faculty of Humanities |
| spellingShingle | piano music Hofmeyr, Hendrik Pienaar Modality in the piano music of Gabriel Faure |
| thesis_degree_str | Master's |
| title | Modality in the piano music of Gabriel Faure |
| title_full | Modality in the piano music of Gabriel Faure |
| title_fullStr | Modality in the piano music of Gabriel Faure |
| title_full_unstemmed | Modality in the piano music of Gabriel Faure |
| title_short | Modality in the piano music of Gabriel Faure |
| title_sort | modality in the piano music of gabriel faure |
| topic | piano music |
| url | http://hdl.handle.net/11427/39108 |
| work_keys_str_mv | AT hofmeyrhendrikpienaar modalityinthepianomusicofgabrielfaure |