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Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making

Belonging in the city of Cape Town is a contested and ambivalent terrain. The past spatial injustices of colonial and apartheid rule have left deep scars and practices embedded in the city. Much has been researched and written about the role of women in land and housing struggles in the Cape. Howeve...

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Main Author: Prins-Solani, Deirdre
Other Authors: Sitas, Friderike
Format: Thesis
Language:English
Published: Department of Environmental and Geographical Science 2024
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access_status_str Open Access
author Prins-Solani, Deirdre
author2 Sitas, Friderike
author_browse Prins-Solani, Deirdre
Sitas, Friderike
author_facet Sitas, Friderike
Prins-Solani, Deirdre
author_sort Prins-Solani, Deirdre
collection Thesis
description Belonging in the city of Cape Town is a contested and ambivalent terrain. The past spatial injustices of colonial and apartheid rule have left deep scars and practices embedded in the city. Much has been researched and written about the role of women in land and housing struggles in the Cape. However, there is a gap in the understanding of the interior worlds of black women and they access the resources within for navigating and negotiating belonging in their everyday lives. According to de Certeau's belonging refers to an “everyday ritualized use of space, an appropriation and territorialisation” (and) a “process of transformation of a place, which becomes a space of accumulated attachment and sentiments by means of everyday practices” (de Certeau, 1984: p96). Picking up on this notion of belonging, my research aims to recognize, identify and understand meaning and sense making, humour and emotional lives of women. In doing so I was curious as to what these could say about the resources women draw on to navigate their everyday belonging in the city. The thesis focuses on the lives of three women from one family: each representing a different generation (grandmother, daughter, granddaughter). Through engaging the lives of these three women, the thesis explores memoryscapes as that intersection between memory, its tangible aspects such as place, objects and architecture, and that of story. Using narrative enquiry and creative methods of analysis as qualitative research method, the research asks questions about how belonging is negotiated by black women in a postcolonial city. The thesis starts by introducing four strands of literature that inform the research: 1) I engaged with urban studies theory, challenging developmentalist approaches to postcolonial city formation; Rodaway,2002, Middleton, 2017, Lefebvre, 1996, Jeannotte, 2007, ed. Schindel and Colombo, 2014. 2) I argue that was is missing are the everyday, ordinary, and interior lives of women and therefore engage with feminist scholars such as Hartman, 2019, Butler, 2016, Carby, 2019); 3) I introduce how interiority can enrich literature on belonging Hartman, 2019, Carby, 2019; and 4) I introduce why memory work is crucial to this kind of inquiry; (ed) Field, Meyer, Swanson,2007, Said, 2000, Stoler, 2013, Ricouer, 2004, McKittrick, 2007. The thesis then introduces the qualitative approach to the research, paying particular attention to how narrative forms of inquiry Bochner and Riggs, 2014, Gergen, 2009, Rosenwald and Ochberg, 1992 and visual modes of analysis Elliott, 2017, Ingold, 2011, Robertson, 2002, Davis, 2008, Poldma, retrieved 2022, Butler-Kisber, 2010 can enrich urban enquiry. The thesis turns to unpacking the findings through a series of three vignettes entitled ‘I am cheeky you know', ‘umnqusho, amagwinya and tea' and ‘these acts of belonging'. The thesis ends with sharing four key aspects which come to light through the research. The first is that a rich interior life provides a resource for not only coping with life in the city in the everyday, but also strengthens resilience, identity and hence the ability to navigate belonging. The second finding was a set of key strategies deployed by the three women in their navigation of belonging. The third finding is that a process of intersecting story, archival and digital images into a series of collages presented a visual language through which to decode belonging and to make visible the invisible worlds which inform affective relationships, choices and decisions about the city. Finally, it is therefore critical for urban studies to engage more deeply and consistently with the ways in which interiority inform navigation and experiences of belonging in postcolonial cities.
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2024
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spelling oai:open.uct.ac.za:11427/39834 Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making Prins-Solani, Deirdre Sitas, Friderike Environmental and Geographical Science Belonging in the city of Cape Town is a contested and ambivalent terrain. The past spatial injustices of colonial and apartheid rule have left deep scars and practices embedded in the city. Much has been researched and written about the role of women in land and housing struggles in the Cape. However, there is a gap in the understanding of the interior worlds of black women and they access the resources within for navigating and negotiating belonging in their everyday lives. According to de Certeau's belonging refers to an “everyday ritualized use of space, an appropriation and territorialisation” (and) a “process of transformation of a place, which becomes a space of accumulated attachment and sentiments by means of everyday practices” (de Certeau, 1984: p96). Picking up on this notion of belonging, my research aims to recognize, identify and understand meaning and sense making, humour and emotional lives of women. In doing so I was curious as to what these could say about the resources women draw on to navigate their everyday belonging in the city. The thesis focuses on the lives of three women from one family: each representing a different generation (grandmother, daughter, granddaughter). Through engaging the lives of these three women, the thesis explores memoryscapes as that intersection between memory, its tangible aspects such as place, objects and architecture, and that of story. Using narrative enquiry and creative methods of analysis as qualitative research method, the research asks questions about how belonging is negotiated by black women in a postcolonial city. The thesis starts by introducing four strands of literature that inform the research: 1) I engaged with urban studies theory, challenging developmentalist approaches to postcolonial city formation; Rodaway,2002, Middleton, 2017, Lefebvre, 1996, Jeannotte, 2007, ed. Schindel and Colombo, 2014. 2) I argue that was is missing are the everyday, ordinary, and interior lives of women and therefore engage with feminist scholars such as Hartman, 2019, Butler, 2016, Carby, 2019); 3) I introduce how interiority can enrich literature on belonging Hartman, 2019, Carby, 2019; and 4) I introduce why memory work is crucial to this kind of inquiry; (ed) Field, Meyer, Swanson,2007, Said, 2000, Stoler, 2013, Ricouer, 2004, McKittrick, 2007. The thesis then introduces the qualitative approach to the research, paying particular attention to how narrative forms of inquiry Bochner and Riggs, 2014, Gergen, 2009, Rosenwald and Ochberg, 1992 and visual modes of analysis Elliott, 2017, Ingold, 2011, Robertson, 2002, Davis, 2008, Poldma, retrieved 2022, Butler-Kisber, 2010 can enrich urban enquiry. The thesis turns to unpacking the findings through a series of three vignettes entitled ‘I am cheeky you know', ‘umnqusho, amagwinya and tea' and ‘these acts of belonging'. The thesis ends with sharing four key aspects which come to light through the research. The first is that a rich interior life provides a resource for not only coping with life in the city in the everyday, but also strengthens resilience, identity and hence the ability to navigate belonging. The second finding was a set of key strategies deployed by the three women in their navigation of belonging. The third finding is that a process of intersecting story, archival and digital images into a series of collages presented a visual language through which to decode belonging and to make visible the invisible worlds which inform affective relationships, choices and decisions about the city. Finally, it is therefore critical for urban studies to engage more deeply and consistently with the ways in which interiority inform navigation and experiences of belonging in postcolonial cities. 2024-06-03T07:55:04Z 2024-06-03T07:55:04Z 2023 2024-06-03T07:22:41Z Thesis / Dissertation Masters MPhil http://hdl.handle.net/11427/39834 eng application/pdf Department of Environmental and Geographical Science Faculty of Science
spellingShingle Environmental and Geographical Science
Prins-Solani, Deirdre
Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making
thesis_degree_str Master's
title Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making
title_full Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making
title_fullStr Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making
title_full_unstemmed Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making
title_short Memoryscapes of belonging: tracing black women's bodies and interior lives in postcolonial city making
title_sort memoryscapes of belonging tracing black women s bodies and interior lives in postcolonial city making
topic Environmental and Geographical Science
url http://hdl.handle.net/11427/39834
work_keys_str_mv AT prinssolanideirdre memoryscapesofbelongingtracingblackwomensbodiesandinteriorlivesinpostcolonialcitymaking