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An analysis Franza Lisz's stylistic development as manifested by the three compositional stages of the12 etudes, op.1 (1826), the douze grandes etudes (1838) and the final version, etudes d'execution transcendante (1851).
Individual etudes need to be related to their reworked and/or revised counterparts in the other sets, and on the other hand, comparisons also have to be drawn between general stylistic aspects as they are contained within each individual set. In addition, whole sets require stylistic comparison with...
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| Language: | English |
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College of Music
2024
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