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This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate his...
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| Format: | Thesis |
| Language: | Eng |
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Department of Drama
2025
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| _version_ | 1867613219537813504 |
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| access_status_str | Open Access |
| author | Maponya, Angelinah |
| author2 | Fleishman, Mark |
| author_browse | Fleishman, Mark Maponya, Angelinah |
| author_facet | Fleishman, Mark Maponya, Angelinah |
| author_sort | Maponya, Angelinah |
| collection | Thesis |
| description | This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate historical tragic events in theatre and dramaturgically posi:on them on stage, to reach ‘evoca:on'? The research considered how the palimpsest of haun:ng as a device improves the in-depth evoca:on of narra:ve, deepens the audience's par:cipa:on, and develops a sense of connec:on between past and present by inves:ga:ng the aspects of history, memory, presence, and intertextuality. The work unpacks strategies of scenographic visuality that allow theatre-makers to engage the audience, s:mulate reflec:on, and elicit a powerful emo:onal reac:on, eventually strengthening the performance's impact and resonance. Through a rage of visual techniques and a mechanism called Pepper's Ghost, this research provides a visual dramaturgical framework as a manifesto, that prefaces a call to ac:on. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/41112 |
| institution | University of Cape Town (South Africa) |
| language | Eng |
| last_indexed | 2026-06-10T12:32:39.476Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2025 |
| publishDateRange | 2025 |
| publishDateSort | 2025 |
| publisher | Department of Drama |
| publisherStr | Department of Drama |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/41112 The Dramaturgy of Evocation: A visual dramaturgical framework Maponya, Angelinah Fleishman, Mark Education This disserta:on sets out to comprehend the complicated processes at work in genera:ng a transforma:onal and immersive theatrical performance, by inves:ga:ng the aspects of materiality, visual language, emo:ons, and signs of haun:ng. The ques:on that prompted the research is: how can we excavate historical tragic events in theatre and dramaturgically posi:on them on stage, to reach ‘evoca:on'? The research considered how the palimpsest of haun:ng as a device improves the in-depth evoca:on of narra:ve, deepens the audience's par:cipa:on, and develops a sense of connec:on between past and present by inves:ga:ng the aspects of history, memory, presence, and intertextuality. The work unpacks strategies of scenographic visuality that allow theatre-makers to engage the audience, s:mulate reflec:on, and elicit a powerful emo:onal reac:on, eventually strengthening the performance's impact and resonance. Through a rage of visual techniques and a mechanism called Pepper's Ghost, this research provides a visual dramaturgical framework as a manifesto, that prefaces a call to ac:on. 2025-03-05T12:13:16Z 2025-03-05T12:13:16Z 2024 2025-03-05T12:03:00Z Thesis / Dissertation Masters Masters http://hdl.handle.net/11427/41112 Eng application/pdf Department of Drama Faculty of Humanities University of Cape Town |
| spellingShingle | Education Maponya, Angelinah The Dramaturgy of Evocation: A visual dramaturgical framework |
| thesis_degree_str | Master's |
| title | The Dramaturgy of Evocation: A visual dramaturgical framework |
| title_full | The Dramaturgy of Evocation: A visual dramaturgical framework |
| title_fullStr | The Dramaturgy of Evocation: A visual dramaturgical framework |
| title_full_unstemmed | The Dramaturgy of Evocation: A visual dramaturgical framework |
| title_short | The Dramaturgy of Evocation: A visual dramaturgical framework |
| title_sort | dramaturgy of evocation a visual dramaturgical framework |
| topic | Education |
| url | http://hdl.handle.net/11427/41112 |
| work_keys_str_mv | AT maponyaangelinah thedramaturgyofevocationavisualdramaturgicalframework AT maponyaangelinah dramaturgyofevocationavisualdramaturgicalframework |