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Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people

This dissertation critically reimagines postcolonial marginality, challenging the traditional 'before' and 'after' dichotomy to explore marginality as a dynamic, ongoing process of identity formation and resistance. Focusing on the Indigenous “Khoisan Revivalism” movement in South Africa, it examine...

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Main Author: Wong, Eve
Other Authors: Burgess, Marlon
Format: Thesis
Language:English
English
Published: Department of Anthropology 2025
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access_status_str Open Access
author Wong, Eve
author2 Burgess, Marlon
author_browse Burgess, Marlon
Wong, Eve
author_facet Burgess, Marlon
Wong, Eve
author_sort Wong, Eve
collection Thesis
description This dissertation critically reimagines postcolonial marginality, challenging the traditional 'before' and 'after' dichotomy to explore marginality as a dynamic, ongoing process of identity formation and resistance. Focusing on the Indigenous “Khoisan Revivalism” movement in South Africa, it examines how young, urban, and working-class individuals claiming Khoisan identity navigate intersections of cultural sincerity, political disengagement, and social justice. The work highlights the emergence of a resilient and marginalised “missing people.” whose identities are continuously shaped through historical struggles and contemporary aspirations. Rejecting essentialist notions of race, “mixedness,” and authenticity, this study positions “sincerity” as central to understanding identity production. Linking sincerity to Sara Ahmed's “stickiness” of affective flows and Gilles Deleuze's “fabulation” demonstrates how marginalised communities transform erased histories into tools for agency, actionable hope, and collective empowerment. Fabulation, in particular, enables the reimagining of suppressed identities, bridging historical realities with speculative futures. Tracing the historical contexts of “coloured” and “Khoisan” peoples, the dissertation troubles the boundaries of these definitions through interdisciplinary ideas. It reveals how gaps and incompleteness provide fertile spaces for identity reimaginings, offering fresh perspectives on how individuals claim and redefine belonging. Methodologically, the research combines ethnographic fieldwork, interviews, and cultural analysis while addressing the ethical complexities of representation. It also investigates how Khoisan identity is appropriated, authenticated, and politicised in legal frameworks, traditions, and state policies, exposing tensions between cultural revitalisation and sociopolitical alienation. With its focus on “cultural, not political” investments, the study challenges dominant, elite-driven identity discourses. By shedding light on South Africa's “missing people,” this work reframes marginalisation as a negotiation of identity and agency and a suspension between fear and desire. It is a compelling call to recognise the vibrancy and creativity of Khoisan revivalists as they reclaim belonging and craft new visions for social justice in an increasingly fragmented world.
format Thesis
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institution University of Cape Town (South Africa)
language English
eng
last_indexed 2026-06-10T12:32:58.612Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Department of Anthropology
publisherStr Department of Anthropology
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spelling oai:open.uct.ac.za:11427/41969 Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people Wong, Eve Burgess, Marlon Khoisan Marginality Identity Postcolonial Sincerity Stickiness Fabulation This dissertation critically reimagines postcolonial marginality, challenging the traditional 'before' and 'after' dichotomy to explore marginality as a dynamic, ongoing process of identity formation and resistance. Focusing on the Indigenous “Khoisan Revivalism” movement in South Africa, it examines how young, urban, and working-class individuals claiming Khoisan identity navigate intersections of cultural sincerity, political disengagement, and social justice. The work highlights the emergence of a resilient and marginalised “missing people.” whose identities are continuously shaped through historical struggles and contemporary aspirations. Rejecting essentialist notions of race, “mixedness,” and authenticity, this study positions “sincerity” as central to understanding identity production. Linking sincerity to Sara Ahmed's “stickiness” of affective flows and Gilles Deleuze's “fabulation” demonstrates how marginalised communities transform erased histories into tools for agency, actionable hope, and collective empowerment. Fabulation, in particular, enables the reimagining of suppressed identities, bridging historical realities with speculative futures. Tracing the historical contexts of “coloured” and “Khoisan” peoples, the dissertation troubles the boundaries of these definitions through interdisciplinary ideas. It reveals how gaps and incompleteness provide fertile spaces for identity reimaginings, offering fresh perspectives on how individuals claim and redefine belonging. Methodologically, the research combines ethnographic fieldwork, interviews, and cultural analysis while addressing the ethical complexities of representation. It also investigates how Khoisan identity is appropriated, authenticated, and politicised in legal frameworks, traditions, and state policies, exposing tensions between cultural revitalisation and sociopolitical alienation. With its focus on “cultural, not political” investments, the study challenges dominant, elite-driven identity discourses. By shedding light on South Africa's “missing people,” this work reframes marginalisation as a negotiation of identity and agency and a suspension between fear and desire. It is a compelling call to recognise the vibrancy and creativity of Khoisan revivalists as they reclaim belonging and craft new visions for social justice in an increasingly fragmented world. 2025-10-02T08:48:09Z 2025-10-02T08:48:09Z 2025 2025-10-02T08:46:00Z Thesis / Dissertation Doctoral PhD http://hdl.handle.net/11427/41969 en eng application/pdf Department of Anthropology Faculty of Humanities University of Cape Town
spellingShingle Khoisan
Marginality
Identity
Postcolonial
Sincerity
Stickiness
Fabulation
Wong, Eve
Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
thesis_degree_str Doctoral
title Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
title_full Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
title_fullStr Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
title_full_unstemmed Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
title_short Fabulous Khoisan:the politics of apoliticality in the indigenous Khoisan revivalism movement in South Africa; an exploration of sincerity,stickiness and fabulation in the emergence of a missing people
title_sort fabulous khoisan the politics of apoliticality in the indigenous khoisan revivalism movement in south africa an exploration of sincerity stickiness and fabulation in the emergence of a missing people
topic Khoisan
Marginality
Identity
Postcolonial
Sincerity
Stickiness
Fabulation
url http://hdl.handle.net/11427/41969
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