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The viewer as conscript: dynamic struggles for ideological supremacy in the South African Border War film, 1971-1988
Fourteen South African films made between 1971 and 1988, and dealing with the Border War, are examined. The focus ofthis examination is on the ways in which films were used to persuade the white public to accept the legitimacy of the Border War. The period under examination is one during which the A...
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| Format: | Thesis |
| Language: | English English |
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Department of Historical Studies
2025
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