Full Text Available

Note: Clicking the button above will open the full text document at the original institutional repository in a new window.

Dead ringers recalling obsolete machines in living rooms

My MFA project involves collecting, deconstructing and reimagining obsolete media machines to blur the lines between functional objects and visual spectacles. Tinkering techniques are employed as an art method to reanimate discarded electronics. Discarded electronic components are salvaged and repur...

Full description

Saved in:
Bibliographic Details
Main Author: Wrench, Melissa
Other Authors: Siopis, Penny
Format: Thesis
Language:English
English
Published: Michaelis School of Fine Art 2025
Subjects:
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1867613302948888576
access_status_str Open Access
author Wrench, Melissa
author2 Siopis, Penny
author_browse Siopis, Penny
Wrench, Melissa
author_facet Siopis, Penny
Wrench, Melissa
author_sort Wrench, Melissa
collection Thesis
description My MFA project involves collecting, deconstructing and reimagining obsolete media machines to blur the lines between functional objects and visual spectacles. Tinkering techniques are employed as an art method to reanimate discarded electronics. Discarded electronic components are salvaged and repurposed, ultimately resulting in hybridised machines. The production evokes Mary Shelley's gothic novel, Frankenstein, or The Modern Prometheus (1818). The research draws on cautionary tales of mechanisation and interpretations of monsters as cultural disruptors; thus the project positions rearticulated obsolete machines as agents of resistance against systemised obsolescence. Their disruption conjures spectres, bringing forth unresolved histories. In addition, the artistic production resolves to validate Do-It-Yourself (DIY), hardware hacking and circuit bending techniques as speculative knowledge production. The findings manifest in a sculptural installation comprising altered telephones and fragmented furniture in a domestic space that has been made to seem strange. The installation questions the interplay between humans and machines, offering an interpretation of the cultural significance of technologies which endure despite their obsolescence.
format Thesis
id oai:open.uct.ac.za:11427/42484
institution University of Cape Town (South Africa)
language English
eng
last_indexed 2026-06-10T12:33:59.204Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2025
publishDateRange 2025
publishDateSort 2025
publisher Michaelis School of Fine Art
publisherStr Michaelis School of Fine Art
record_format dspace
source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/42484 Dead ringers recalling obsolete machines in living rooms Wrench, Melissa Siopis, Penny Josephy, Svea obsolete media machines My MFA project involves collecting, deconstructing and reimagining obsolete media machines to blur the lines between functional objects and visual spectacles. Tinkering techniques are employed as an art method to reanimate discarded electronics. Discarded electronic components are salvaged and repurposed, ultimately resulting in hybridised machines. The production evokes Mary Shelley's gothic novel, Frankenstein, or The Modern Prometheus (1818). The research draws on cautionary tales of mechanisation and interpretations of monsters as cultural disruptors; thus the project positions rearticulated obsolete machines as agents of resistance against systemised obsolescence. Their disruption conjures spectres, bringing forth unresolved histories. In addition, the artistic production resolves to validate Do-It-Yourself (DIY), hardware hacking and circuit bending techniques as speculative knowledge production. The findings manifest in a sculptural installation comprising altered telephones and fragmented furniture in a domestic space that has been made to seem strange. The installation questions the interplay between humans and machines, offering an interpretation of the cultural significance of technologies which endure despite their obsolescence. 2025-12-23T10:56:08Z 2025-12-23T10:56:08Z 2025 2025-12-23T10:51:52Z Thesis / Dissertation Masters MFA http://hdl.handle.net/11427/42484 en eng application/pdf Michaelis School of Fine Art Faculty of Humanities University of Cape Town
spellingShingle obsolete media machines
Wrench, Melissa
Dead ringers recalling obsolete machines in living rooms
thesis_degree_str Master's
title Dead ringers recalling obsolete machines in living rooms
title_full Dead ringers recalling obsolete machines in living rooms
title_fullStr Dead ringers recalling obsolete machines in living rooms
title_full_unstemmed Dead ringers recalling obsolete machines in living rooms
title_short Dead ringers recalling obsolete machines in living rooms
title_sort dead ringers recalling obsolete machines in living rooms
topic obsolete media machines
url http://hdl.handle.net/11427/42484
work_keys_str_mv AT wrenchmelissa deadringersrecallingobsoletemachinesinlivingrooms