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Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz

Includes bibliographical references (leaves 82-84).

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Main Author: Cawood, Megan
Other Authors: Clarkson, Carrol
Format: Thesis
Language:English
Published: Department of English Language and Literature 2014
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access_status_str Open Access
author Cawood, Megan
author2 Clarkson, Carrol
author_browse Cawood, Megan
Clarkson, Carrol
author_facet Clarkson, Carrol
Cawood, Megan
author_sort Cawood, Megan
collection Thesis
description Includes bibliographical references (leaves 82-84).
format Thesis
id oai:open.uct.ac.za:11427/7464
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:31:35.974Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Department of English Language and Literature
publisherStr Department of English Language and Literature
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/7464 Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz Cawood, Megan Clarkson, Carrol English Language and Literature Includes bibliographical references (leaves 82-84). The eponymous protagonist of Austerlitz, W.G. Sebald's final prose novel, is haunted by landscapes of loss. Both Austerlitz and the narrator are acutely aware of the signs of destruction and of the invisible histories of loss in the landscapes through which they travel. Through the gaze of both these characters Sebald exposes the haunted wasteland of post -war Europe and describes the sites of many of the atrocities of the Holocaust. While much has been written about Sebald's use of landscape and his emphasis on memory, there is very little research to date that has taken a phenomenological approach to Sebald's texts. There are specific affinities, for example, between the musings of the protagonist and the narrator of Sebald's Austerlitz and Merleau-Ponty's philosophy of perception. This dissertation explores the implications of Merleau-Ponty's existential phenomenology as an approach to Sebald's Austerlitz, by showing that while phenomenology provides a valuable conceptual framework through which to engage the novel, there are aspects of this phenomenological approach which Sebald's work, in its narrative form, is able to extend beyond the boundaries of philosophical discourse. The central argument is that Austerlitz's perception of architectural sites is inextricably linked to aspects of memory and narrative. This dissertation first explores the thematic concerns of the outworking of traumatic memory in the spaces of architecture, in the subjective experience of time, and in the act of perception; after which it examines how Sebald's narrative technique creates a text-scape which implicates its reader's gaze. 2014-09-15T07:26:22Z 2014-09-15T07:26:22Z 2007 Master Thesis Masters MA http://hdl.handle.net/11427/7464 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English Language and Literature
Cawood, Megan
Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz
thesis_degree_str Master's
title Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz
title_full Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz
title_fullStr Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz
title_full_unstemmed Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz
title_short Invisible landscapes : landscape, memory and time in W.G. Sebald's Austerlitz
title_sort invisible landscapes landscape memory and time in w g sebald s austerlitz
topic English Language and Literature
url http://hdl.handle.net/11427/7464
work_keys_str_mv AT cawoodmegan invisiblelandscapeslandscapememoryandtimeinwgsebaldsausterlitz