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Inherited memories : performing the archive

Includes bibliographical references (leaves 204-220).

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Bibliographic Details
Main Author: Davids, Nadia
Other Authors: Erasmus, Zimitri
Format: Thesis
Language:English
Published: Department of Drama 2014
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access_status_str Open Access
author Davids, Nadia
author2 Erasmus, Zimitri
author_browse Davids, Nadia
Erasmus, Zimitri
author_facet Erasmus, Zimitri
Davids, Nadia
author_sort Davids, Nadia
collection Thesis
description Includes bibliographical references (leaves 204-220).
format Thesis
id oai:open.uct.ac.za:11427/7480
institution University of Cape Town (South Africa)
language eng
last_indexed 2026-06-10T12:32:36.207Z
license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
publishDateRange 2014
publishDateSort 2014
publisher Department of Drama
publisherStr Department of Drama
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source_str UCTD — University of Cape Town Open Access Repository
spelling oai:open.uct.ac.za:11427/7480 Inherited memories : performing the archive Davids, Nadia Erasmus, Zimitri Banning, Yvonne Drama Includes bibliographical references (leaves 204-220). This thesis explores the way in which words, memories, and images of District Six are mediated and performed in an attempt to memorialised a destroyed urban landscape. It expands the borders of 'performance' to include oral (re)constructions of place by ex-residents, which in turn opens a space for a reflective analysis in which Marianne Hirsch’s psychodynamic theory of ‘postmemory’ is explored through the phrase ‘Children of District Six’. It traces the role and influence of ex-residents in shaping the politics and poetics of the District Six Museum and argues that orality and performance are singularly sympathetic in evoking and remembering the aesthetic, cultural, and political realms of District Six. It then shifts towards an analysis of two creative projects; Magnet Theater's Onnest’bo and the Museum’s Re-Imagining Carnival in which the themes of place, home, loss, exile, resistance, advocacy and restitution rotate around experiences of forced removals in general and District Six in particular. A thematic cord is created between these performance pieces and oral testimonies and their combined mediation of the many archives of District Six. Through an engagement with the performative odysseys and attendant archives of Re-Imagining Carnival and Onnest’bo the thesis examine metaphysical enactments of material loss, engages with tactics of re-construction of place and experience through memory, connects the psychic worlds of memory and performance and suggests an ideological flow between oral history, witnessing, and theatre. It is an exploration underpinned by the question of the role of performance in memorialising national narratives and the potential of creative mobilisations of memory in enacting psychic restitution. Both Onnest’bo and Re-Imagining Carnival are linked to the District Six Museum, and as such the Museum, its methodologies, ethics, ethos, and work with tangible and intangible heritage serve as an essential ideological foundation from which these creative visions emerge. 2014-09-15T07:32:38Z 2014-09-15T07:32:38Z 2007 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/7480 eng application/pdf Department of Drama Faculty of Humanities University of Cape Town
spellingShingle Drama
Davids, Nadia
Inherited memories : performing the archive
thesis_degree_str Doctoral
title Inherited memories : performing the archive
title_full Inherited memories : performing the archive
title_fullStr Inherited memories : performing the archive
title_full_unstemmed Inherited memories : performing the archive
title_short Inherited memories : performing the archive
title_sort inherited memories performing the archive
topic Drama
url http://hdl.handle.net/11427/7480
work_keys_str_mv AT davidsnadia inheritedmemoriesperformingthearchive