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A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels

Bibliography: p. 260-284.

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Bibliographic Details
Main Author: Ayivor, Moses Geoffrey Kwame
Other Authors: Cooper, Brenda
Format: Thesis
Language:English
Published: Department of English Language and Literature 2014
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access_status_str Open Access
author Ayivor, Moses Geoffrey Kwame
author2 Cooper, Brenda
author_browse Ayivor, Moses Geoffrey Kwame
Cooper, Brenda
author_facet Cooper, Brenda
Ayivor, Moses Geoffrey Kwame
author_sort Ayivor, Moses Geoffrey Kwame
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description Bibliography: p. 260-284.
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institution University of Cape Town (South Africa)
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license_str Not specified — see source repository
provenance_str_mv Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository
publishDate 2014
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spelling oai:open.uct.ac.za:11427/9551 A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels Ayivor, Moses Geoffrey Kwame Cooper, Brenda English Bibliography: p. 260-284. The focus of this dissertation is the thesis that if Ayi Kwei Armah's five novels - The Beautyful Ones Are Not Yet Born (1968), Fragments (1969), Why Are We So Blest? (1972), Two Thousand Seasons (1973) and The Healers (1978) - are closely analysed, they will emerge as a single creative mythology devoted to the fictional disfigurement of Black Africa from primeval times to the present. An analysis of Afiican writings reveals that a body of contemporary African literature has and is still undergoing a distinctive metamorphosis. This change, which amounts to a significant departure from the early fifties, derives its creative impulse from demonic anger and cynical iconoclasm and is triggered by the mind-shattering disillusion that followed independence. The proclivity towards tyranny and the exploitation of the ruled in modern Africa is traced by radical African creative writers to an ancient source : the legendary and god-like rulers of pre-colonial Africa. Ouologuem's Bound to Violence, Wole Soyinka's play, A Dance of the Forests, and Armah's Two Thousand Seasons and The Healers hypothesize that past political violations begot the present wreckage of the African populace. The legendary warrior heroes of the past, whose glory and splendour were once exalted in African writing, are now ruthlessly disentombed and paraded as miscreants and despots, who brutalized and sold their people into slavery. Although Armah glorifies "The Way" in Two Thousand Seasons and "the metaphysics of African healing" in The Healers, the dominant preoccupation of two novel histories is to divest the ancient godlike kings of their false glory. 2014-11-11T12:53:33Z 2014-11-11T12:53:33Z 1998 Doctoral Thesis Doctoral PhD http://hdl.handle.net/11427/9551 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town
spellingShingle English
Ayivor, Moses Geoffrey Kwame
A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
thesis_degree_str Doctoral
title A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
title_full A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
title_fullStr A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
title_full_unstemmed A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
title_short A saga of black deglorification : the disfigurement of Africa in Ayi Kwei Armah's novels
title_sort saga of black deglorification the disfigurement of africa in ayi kwei armah s novels
topic English
url http://hdl.handle.net/11427/9551
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