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Empty caves
This MA thesis is divided into three parts. 1) A Preface, which concerns the act of writing this work, with a reflections on the attendant difficulties regarding editing and editorial distance. A placement of the poetry in relation to "South African writing", and to late 20th century poetry. A brief...
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| Format: | Thesis |
| Language: | English |
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Department of English Language and Literature
2014
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| _version_ | 1867613197334216704 |
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| access_status_str | Open Access |
| author | Will, Gerhardt |
| author_browse | Will, Gerhardt |
| author_facet | Will, Gerhardt |
| author_sort | Will, Gerhardt |
| collection | Thesis |
| description | This MA thesis is divided into three parts. 1) A Preface, which concerns the act of writing this work, with a reflections on the attendant difficulties regarding editing and editorial distance. A placement of the poetry in relation to "South African writing", and to late 20th century poetry. A brief elucidation of the poems' preoccupations and concems. 2) Two Essays, entitled "Dear Warlock-Williams: Why of Course: The Lonely Larkin" and 'William Empson : His Modem Escape". The first concerns Philip Larkin's uncanny ability to create a beauty out of irony, isolation, and desolation, his achievement of transcendence from entrapment. The second essay deals with William Empson's unique poetic position: a truly modem one. The essays puts forward the idea that Empson's poetry can be regarded as a struggle between a wish for escape and a need to engage with an horrendous "objective" reality. In other words, his struggle is between poetry and plain speaking; between art and science. 3) The Poems, which form a group of forty written throughout 1997/8. They have been thoroughly edited several times over, in close consultation with Assoc. Prof. Stephen Watson of the Department of English. |
| format | Thesis |
| id | oai:open.uct.ac.za:11427/9701 |
| institution | University of Cape Town (South Africa) |
| language | eng |
| last_indexed | 2026-06-10T12:32:18.917Z |
| license_str | Not specified — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UCTD — University of Cape Town Open Access Repository |
| publishDate | 2014 |
| publishDateRange | 2014 |
| publishDateSort | 2014 |
| publisher | Department of English Language and Literature |
| publisherStr | Department of English Language and Literature |
| record_format | dspace |
| source_str | UCTD — University of Cape Town Open Access Repository |
| spelling | oai:open.uct.ac.za:11427/9701 Empty caves Will, Gerhardt Creative Writing This MA thesis is divided into three parts. 1) A Preface, which concerns the act of writing this work, with a reflections on the attendant difficulties regarding editing and editorial distance. A placement of the poetry in relation to "South African writing", and to late 20th century poetry. A brief elucidation of the poems' preoccupations and concems. 2) Two Essays, entitled "Dear Warlock-Williams: Why of Course: The Lonely Larkin" and 'William Empson : His Modem Escape". The first concerns Philip Larkin's uncanny ability to create a beauty out of irony, isolation, and desolation, his achievement of transcendence from entrapment. The second essay deals with William Empson's unique poetic position: a truly modem one. The essays puts forward the idea that Empson's poetry can be regarded as a struggle between a wish for escape and a need to engage with an horrendous "objective" reality. In other words, his struggle is between poetry and plain speaking; between art and science. 3) The Poems, which form a group of forty written throughout 1997/8. They have been thoroughly edited several times over, in close consultation with Assoc. Prof. Stephen Watson of the Department of English. 2014-11-18T17:01:49Z 2014-11-18T17:01:49Z 1998 Master Thesis Masters MA http://hdl.handle.net/11427/9701 eng application/pdf Department of English Language and Literature Faculty of Humanities University of Cape Town |
| spellingShingle | Creative Writing Will, Gerhardt Empty caves |
| thesis_degree_str | Master's |
| title | Empty caves |
| title_full | Empty caves |
| title_fullStr | Empty caves |
| title_full_unstemmed | Empty caves |
| title_short | Empty caves |
| title_sort | empty caves |
| topic | Creative Writing |
| url | http://hdl.handle.net/11427/9701 |
| work_keys_str_mv | AT willgerhardt emptycaves |