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Dissertation (MSc)--University of Pretoria, 1980.
| Other Authors: | |
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| Format: | Thesis |
| Language: | English |
| Published: |
University of Pretoria
2017
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| _version_ | 1867613617274224640 |
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| access_status_str | Open Access |
| author2 | Roos, Nicholas Oswald |
| author_browse | Roos, Nicholas Oswald |
| author_facet | Roos, Nicholas Oswald |
| collection | Thesis |
| dc_rights_str_mv | © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. |
| description | Dissertation (MSc)--University of Pretoria, 1980. |
| format | Thesis |
| id | oai:repository.up.ac.za:2263/59310 |
| institution | University of Pretoria (South Africa) |
| language | English |
| last_indexed | 2026-06-10T12:38:59.552Z |
| license_str | Other — see source repository |
| provenance_str_mv | Harvested via OAI-PMH from UPSpace — University of Pretoria Institutional Repository |
| publishDate | 2017 |
| publishDateRange | 2017 |
| publishDateSort | 2017 |
| publisher | University of Pretoria |
| publisherStr | University of Pretoria |
| record_format | dspace |
| source_str | UPSpace — University of Pretoria Institutional Repository |
| spelling | oai:repository.up.ac.za:2263/59310 An examination of the influence of industrial printing technology and imagery on printmaking Roos, Nicholas Oswald Clarke, John Frederick Casper UCTD Dissertation (MSc)--University of Pretoria, 1980. A relationship between art and technology has existed since man first used his hands to make objects and images both functional and aesthetic. Generally speaking, before the Industrial Revolution that relationship was accepted as natural and fundamental to progress. But since the explosion of scientific information and related technology it appears to have gone awry. The resultant discord and imbalance is clearly reflected in the history of printmaking. Printing first made its appearance in 15th century Europe at the beginning of a new era in Western culture. From humble beginnings it developed and flourished as an industry to meet the demand for exactly repeatable images both typographical and pictorial. From the first century of its existence printing was also used by artists who realised that, in addition to its economic and informative value and potential, the medium could be used for creative visual expression. Visual Arts MA Unrestricted 2017-03-07T11:45:34Z 2017-03-07T11:45:34Z 1980 1980 Dissertation Clarke, JFC 1980, An examination of the influence of industrial printing technology and imagery on printmaking, MA Dissertation, University of Pretoria, Pretoria, viewed yymmdd <http://hdl.handle.net/2263/59310> http://hdl.handle.net/2263/59310 en © 2017 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria. application/pdf University of Pretoria |
| spellingShingle | UCTD An examination of the influence of industrial printing technology and imagery on printmaking |
| title | An examination of the influence of industrial printing technology and imagery on printmaking |
| title_full | An examination of the influence of industrial printing technology and imagery on printmaking |
| title_fullStr | An examination of the influence of industrial printing technology and imagery on printmaking |
| title_full_unstemmed | An examination of the influence of industrial printing technology and imagery on printmaking |
| title_short | An examination of the influence of industrial printing technology and imagery on printmaking |
| title_sort | examination of the influence of industrial printing technology and imagery on printmaking |
| topic | UCTD |
| url | http://hdl.handle.net/2263/59310 |